Dīng Fù 丁復 (Yuán), zì Zhòngróng 仲容, native of Tiāntái 天台 (Zhèjiāng). Recommended in early Yányòu (1314 onward) but declined office, instead drifting in poetic fàngqíng through Jiāng and Huái before settling in Jīnlíng 金陵 (Nánjīng), where his residence — surrounded by ancient guì (cypresses) — gave the name Kuàitíng 檜亭 to his collected works KR4d0499. He composed prodigiously (reportedly several thousand pieces) but discarded the drafts on completion; his surviving corpus was assembled posthumously by his son-in-law Ráo Jièzhī 饒介之 (the qiánjí 前集) and his disciple Lǐ Qiānzhī 李謙之 (the xùjí 續集), and consolidated into a 9-juǎn recension by Zhāng Wéiyuǎn 張惟遠 (Nángtái jiānchá yùshǐ) at the Jíqìng xuégōng in Zhìzhèng 10 (1350). His verse, in Lǐ Huán’s 李桓 characterization, “began as Lǐ Bái, then evolved toward an autonomous style.”