Southern-Sòng cí-writer of the prosodic-school (fl. early thirteenth century, conventionally placed in the late Guāngzōng / Níngzōng period, c. 1190–1230), of Xìnān 信安 (Zhèjiāng). Served as Sub-Prefectural Vice-Magistrate (qiānpàn 簽判) of Shūzhōu 舒州. His sole extant work is the matching-cí corpus Hé Qīngzhēn cí KR4j0019, in one juǎn, composed slot-by-slot in the exact tonal-prosodic pattern of every cí in Zhōu Bāngyàn 周邦彥’s Piànyù cí KR4j0015 — the most precise prosodic exercise in the Sòng cí tradition. The Quán Sòng cí of Táng Guīzhāng 唐圭璋 preserves around 95 of his cí, exactly matching the count of Zhōu’s tunes. Fāng’s collection was sometimes printed alongside the parallel matching-cí of Yáng Zémín 楊澤民 of Lèān 樂安 and Chén Yǔnpìng 陳允平 as the Sānyīng jí 三英集 (“Collection of Three Talents”); together they constitute the documentary core of the Southern-Sòng gélǜ 格律 school of cí-composition. Apart from this corpus only a single shī — Tí Zhēnyuángōng 題真源宫, preserved in the Yìpǔ jí 藝圃集 — is recorded under his name. No precise life-dates or further biographical information is available.