Huáilùtáng jí 懷麓堂集

Embracing-the-Foothills Hall Collection by 李東陽 (撰)

About the work

Huáilùtáng jí 懷麓堂集 in 100 juǎn — the great corpus of Lǐ Dōngyáng 李東陽 (李東陽, 1447–1516), Bīnzhī 賓之, hào Xīyá 西涯, posthumous title Wénzhèng 文正; native of Chálíng 茶陵 (Húnán); the great Hóng-zhì-Zhèng-dé-era Senior Grand Secretary, leader of the Chálíng 茶陵 poetic school. Lǐ has the Dōngsì lù 東祀錄, separately catalogued. The Sìkù tíyào is one of the most substantial literary-historical statements in the Sìkù corpus on the two-cycle alternation of Míng literary style: (1) Hóngwǔ to Yǒnglè — píngzhèng diǎnyǎ (level-correct, canonical-elegant) as orthodoxy; degenerated into yōngfū (mediocre-shallow); (2) reaction: necessarily biàn ér qiú xīn (changed and sought new); (3) Zhèngdé and Jiājìng — chénbó wěilì (deep-broad, vast-and-beautiful) as orthodoxy (i.e. Hé Jǐngmíng 何景明 / Lǐ Mèngyáng 李夢陽 fùgǔ movement); degenerated into xūjiāo (false-vain); (4) reaction: necessarily biàn ér wù shí (changed and sought substance). The Sìkù editors’ moderate verdict: Hé and Lǐ are like Qí Huán and Jìn Wén — their merit shook the empire but a hegemonic atmosphere finally remained; Dōngyáng is like declining Zhōu and weak Lǔ — strength insufficient to repel violent intruders, but the canonical institutions and cultural artifacts still had the xiānwáng zhī yífēng (the surviving wind of the former kings). Even the post-Hé-Lǐ xiōngwěi qíjié (heroic-distinguished) talents could not push aside and abolish him. The Sìkù editors’ moral-political verdict on Lǐ Dōngyáng — yī ē Liú Jǐn rénpǐn shìyè jūn wú zú shēnlùn (he attached himself to Liú Jǐn 劉瑾; his personal character and works are not worth deep discussion) — is harsher than on his literary work. The 100-juǎn recension: 20 juǎn poetry, 30 juǎn prose, 10 juǎn poetry-continuation, 30 juǎn prose-continuation, 10 juǎn miscellaneous; the 7 sub-collections (Nánxíng gǎo 南行稿, Běishàng lù 北上錄, Jīngyán jiǎngdú 經筵講讀, Dōngsì lù 東祀錄, Jíjù lù 集句錄, Kūzǐ lù 哭子錄, Qiútuì lù 求退錄). Original blocks burnt; the present text is the Kāngxī rénxū (1682) recutting by Liào Fāngdá 廖方達, then Chálíngzhōu xuézhèng.

Tiyao

Huáilùtáng jí in 100 juǎn — by Lǐ Dōngyáng of the Míng. Dōngyáng has the Dōngsì lù, already recorded. Dōngyáng yī ē Liú Jǐn (depended-and-flattered Liú Jǐn); his personal character and works are not worth deep-discussing. Yet his prose finally is one dà zōng (great mainstream) of the Míng era. Once Lǐ Mèngyáng and Hé Jǐngmíng rose abruptly between Hóngzhì and Zhèngdé, advocating fùgǔ xué (returning-to-antiquity learning); thereupon wén bì Qín Hàn, shī bì Shèng Táng (prose must be QínHàn, poetry must be High Táng); their talent and learning sufficient to lǒngzhào yī shì (cover one age); the empire likewise echoed and followed them; the Chálíng light-flame was nearly extinguished. Once the Běidì 北地 (Lǐ Mèngyáng) and Xìnyáng 信陽 (Hé Jǐngmíng) school’s transmission zhuǎnxiāng mónǐ (transferring imitation), abuses gradually deepened — discussants then somewhat reverted to Lǐ Dōngyáng’s transmission to chēngzhǔ (prop-up). The Míng Hóng[-wǔ]-Yǒng[-lè] and after — prose taking píngzhèng diǎnyǎ as orthodoxy — its conclusion gradually flowed into yōngfū; the extreme of yōngfū could not but change and seek new. Zhèng[-dé]-Jiā[-jìng] and after — prose taking chénbó wěilì as orthodoxy — its conclusion gradually flowed into xūjiāo; the extreme of xūjiāo could not but change and seek substance. For 200+ years the two schools alternately won and lost — clearly all lǐshì zhī bìrán (principle-and-circumstance’s necessity). With calm heart discussing: and are like Qí Huán 齊桓 and Jìn Wén 晉文 — gōngliè zhèn tiānxià ér bàqì zhōng cún (their merit shaking the empire but a hegemon’s-air finally remaining); Dōngyáng is like shuāiZhōu ruòLǔforce insufficient to repel violent intruders, but canonical institutions and cultural artifacts still had the surviving wind of the former kings. Even the later xióngwěi qíjié (heroic-distinguished, marvellous-extreme) talent finally could not push him aside and abolish him — there is reason. The collection’s old blocks have been destroyed; this text is the Kāngxī rénxū (1682) printing by Chálíngzhōu xuézhèng Liào Fāngdá: 20 juǎn poetry-manuscript, 30 juǎn prose-manuscript, 10 juǎn poetry-continuation, 30 juǎn prose-continuation, also 10 juǎn miscellaneous-manuscript called Nánxíng gǎo, Běishàng lù, Jīngyán jiǎngdú, Dōngsì lù, Jíjù lù, Kūzǐ lù, Qiútuì lù — 7 kinds. The poetry-continuation is originally 10 juǎn; Zhāng Hóngliè’s 張鴻烈 makes it 20 juǎn — a brush-error. At the head are Zhèngdé bǐngzǐ (1516) Yáng Yīqīng 楊一清 preface and Dōngyáng’s own preface. Yet [Dōngyáng’s] own preface is composed for Nǐgǔ yuèfǔ (Imitating-Ancient yuèfǔ), not for the complete collection — later men moved it to crown the complete collection. Compiled and presented respectfully in the tenth month of Qiánlóng 46 (1781). Chief Compilers: Jì Yún, Lù Xīxióng, Sūn Shìyì. General Editor: Lù Fèichí.

Abstract

The Sìkù tíyào on Lǐ Dōngyáng is one of the most influential statements of mid-Míng literary historiography in the entire Sìkù corpus: the two-cycle alternation model (Hóngwǔ Yǒnglè píngzhèng diǎnyǎyōngfū → Zhèngdé Jiājìng chénbó wěilìxūjiāo) provides the foundational chronological-stylistic frame; the Hé / Lǐ as QíHuán JìnWén (forceful but hegemonic) and Dōngyáng as decling-Zhōu weak-Lǔ (weak but with the surviving wind of the former kings) analogy provides the canonical literary-political evaluative frame.

The chief catch: the Sìkù editors are unusually candid on Lǐ Dōngyáng’s moral-political record — yī ē Liú Jǐn (he attached himself to Liú Jǐn 劉瑾, the great Zhèng-dé-era eunuch dictator); rénpǐn shìyè jūn wú zú shēnlùn (his personal character and works are not worth deep discussion). The LǐXián / YuèZhèng pair (KR4e0104 / KR4e0109) is reproduced here in moral-and-literary form: Lǐ Dōngyáng’s literary excellence is preserved, but the moral verdict is severe.

The 100-juǎn total — second only to KR4e0090 Yáng Shìqí Dōnglǐ jí (93 juǎn) in this division — reflects Lǐ Dōngyáng’s extraordinary literary productivity across his HóngzhìZhèngdé Senior Grand Secretary career.

The 7 sub-collections are documentary on specific career episodes: Nánxíng gǎo (southern-journey, embassy travels); Běishàng lù (northern ascent, capital-bound); Jīngyán jiǎngdú (imperial-lecture commentaries); Dōngsì lù (eastern sacrifice, the famous Tàishān sacrifice records); Jíjù lù (collected-line, jíjù poetry); Kūzǐ lù (mourning-the-son, the elegies for his dead son); Qiútuì lù (seeking-retirement memorials, the late-career retirement-petitions).

CBDB id 28691 (1447–1516) confirms catalog meta dates.

Translations and research

  • L. Carrington Goodrich and Chaoying Fang, eds., Dictionary of Ming Biography 1368–1644. New York: Columbia UP, 1976. Major notice of Lǐ Dōng-yáng.
  • John W. Dardess, Confucianism and Autocracy: Professional Elites in the Founding of the Ming Dynasty. UC Press, 1983. (Background on the Tái-gé tǐ / Chá-líng transition.)
  • Daniel Bryant, The Great Recreation: Ho Ching-ming (1483–1521) and His World. Brill, 2008. (For the Hé Jǐng-míng / Hòu-qī-zǐ counter-school.)
  • Wilkinson, Chinese History: A New Manual, §28.4 (Míng bié-jí) and §28.6 (mid-Míng poetic schools).
  • Míng shǐ j. 181 — Lǐ Dōng-yáng biography.

Other points of interest

The Sìkù tíyào’s two-cycle alternation model is foundational to the standard mid-late-Qīng literary historiography of the Míng — the source for the canonical periodization that remains the standard frame in modern Míng-literary-history scholarship.