Southern-Sòng cí-writer (fl. mid-twelfth century, c. 1150–1180); zì Píngzhòng 平仲, hào Qiáoyǐn 樵隱 (“Woodcutter-Recluse”) and Sānqú 三衢 (after the old place-name), of Jiāngshān 江山 in Xìnān (Zhèjiāng). Son of Lǐbù shàngshū Máo Yǒu 毛友. Served as Vice-Magistrate (tōngpàn) of Wǎnlíng 宛陵 (Xuānzhōu) and Dōngyáng 東陽 (Wùzhōu); his Qiáoyǐn jí 樵隱集 in 15 juǎn (with Yóu Mào 尤袤’s preface) is lost. The transmitted Qiáoyǐn cí KR4j0042 in one juǎn preserves 42 cí in 23 tune-titles via Máo Jìn 毛晉’s late-Míng cutting from a Yáng Mèngyǔ 楊夢羽 family-archive SòngYuán hand-copy. Yáng Shèn 楊慎’s Cí pǐn singles out the Mǎn jiāng hóng · Pō huǒ chū shōu (a Qīngmíng piece) as the master-piece. His chángchóu network includes Yè Mèngdé 葉夢得 and Lù Yóu 陸游 (the Shuǐdiào gētóu · Cì yùn Lù Wùguān péi tàishǒu Fāng Wùdé dēng Duōjǐng lóu is the matching-piece to Lù’s Duōjǐng lóu).