Mǐ Fú 米芾 (1051–1107, zì Yuánzhāng 元章, hào multiple — Hǎiyuè wàishǐ 海岳外史, Lùmén jūshì 鹿門居士, Xiāngyáng mànshì 襄陽漫士, Bǎojìnzhāi 寶晉齋, etc.). Of Xiāngyáng 襄陽 origin, settling at Rùnzhōu Dāntú 潤州丹徒 (Jiāngsū). One of the Sòng sìjiā 宋四家 of calligraphy (with Sū Shì, Huáng Tíngjiān, Cài Xiāng) and the founder of the Mǐshì shānshuǐ 米氏山水 painting school. Held office through Lǐbù yuánwàiláng and zhī Huáiyángjūn — the post in which he died. The most famously eccentric character of late-Northern-Sòng cultural history — the bàishí (rock-bowing) and jiépèi (washing-clothes) anecdotes are canonical. Author of Huàshǐ 畫史 (cataloged separately) and Bǎojìn yīngguāng jí 寶晉英光集 KR4d0094 in 8 juǎn (the literary collection — Bǎojìn his studio name and Yīngguāng his hall name; the work was lost in the Nándù and reassembled in Shàodìng rénchén / 1232 by Yuè Kē 岳珂 then zhī Rùnzhōu). The original Shānlín jí in 100 juǎn (so listed in Sòngshǐ Yìwénzhì) was lost; only one-tenth survives. Sū Shì’s late praise — zìHǎinán guī, zhōuzhōng wén zhūzǐ sòng suǒzuò gǔfù, shǐ hèn zhī zhī wǎn (returning from Hǎinán, in the boat hearing his sons recite Mǐ’s gǔfù, only then regretted recognizing him too late) — is the canonical Sòng evaluation. Sòngshǐ 444.