Lúchuān cí 蘆川詞

Lyrics of the Reed-Stream by 張元幹 (撰)

About the work

The Lúchuān cí 蘆川詞 is the one-juǎn Sìkù collection of Zhāng Yuángàn 張元幹 (1091–1170; Zhòngzōng 仲宗, hào Lúchuān jūshì 蘆川居士), the foremost -writer of the post-1127 patriotic-protest line. The collection — descending through the late-Míng Máo Jìn 毛晉 cutting from a Sòng-cut text — is set in canonical history by the two Hè xīn láng 賀新郎 that open it: one composed in Wùwǔ / Shàoxīng 8 / 1138 (the Tíyào corrects Máo Jìn’s Xīnyǒu / 1141 dating) for Hú Quán 胡銓 (胡銓) when Hú was banished to Xīnzhōu for his memorial demanding the execution of Qín Guì 秦檜; the other sent to Lǐ Gāng 李綱 (李綱) after Lǐ’s memorial against the SòngJīn peace treaty, also of Shàoxīng 8 / 1138. Both pieces cost Zhāng his official position. The Tíyào notes that these two head the collection deliberately — to mark the work’s political register. The remainder of the corpus is in fact “fluent and graceful” in the manner of Qín Guān 秦觀 and Zhōu Bāngyàn 周邦彥: Zhāng was a two-register writer.

Tiyao

Lúchuān cí, one juǎn, by Zhāng Yuángàn of the Sòng. Yuángàn has the Lúchuān guīlái jí separately catalogued. The Sòng shǐ Yìwénzhì records his in two juǎn; Chén Zhènsūn 陳振孫’s Shūlù jiětí records only one juǎn, agreeing with the present. Yuángàn took loyalty-and-righteousness as his self-mark; on the demotion of the dàizhì Hú Quán to Xīnzhōu he composed a Hè xīn láng in farewell, and was struck off the rolls for it. Per the Sòng shǐ Hú Quán zhuàn, Hú’s memorial seeking the execution of Qín Guì was in Wùwǔ / Shàoxīng 8 / 1138, 11th month; Yuángàn’s striking-off should be of this period. Máo Jìn 毛晉’s colophon dating it Xīnyǒu / 1141 is in error. Lǐ Gāng’s memorial against the peace treaty was likewise in Shàoxīng 8 / 1138, 11th month; Gāng was at that time Tíjǔ Dòngxiāogōng. Yuángàn composed a sending- for him too; this volume places these two at the head — clearly there is design in it. Their are heroic-grieving; centuries later, one can still feel his hindered-and-towering breath. But the rest of his are mostly clear-graceful and turning-restrained, on a plane with Qín Guān and Zhōu Bāngyàn. Máo Jìn’s colophon says: “People say he is fine in grief-and-rage; reading the Huāān and Cǎotáng selections, his are very tender-and-fine too” — well said. As to his praise of sǎ chuāngjiān wéi jìxuě 洒窓間惟稷雪 quoting the Máo shī shū — that case is plausible-seeming but not real; takes běnsè (natural register) as the hardest thing; it prizes neither obscure characters nor weighty ones; jìxuě 稷雪 in a is finally a biégé (variant register) and cannot be a standard. The Hè chōng tiān 鶴沖天 tune should be Xǐ qiān yīng 喜遷鶯; Jìn notes “previously erroneously Xǐ qiān yīng, now corrected to Hè chōng tiān” — not knowing that Xǐ qiān yīng is also called Hè chōng tiān from Wéi Zhuāng’s Xǐ qiān yīng line zhēng kàn hè chōng tiān 爭看鶴沖天 — but that other tune has only 47 characters; Yuángàn properly uses this form; Jìn took the late name as standard and called the proper name an error — yet more loose proof-reading. We have deleted this note and appended the correction here.

Abstract

The transmitted Lúchuān cí descends through Máo Jìn’s late-Míng cutting from a Sòng-cut original. Modern editions: the Quán Sòng cí of Táng Guīzhāng 唐圭璋 preserves around 184 ; the principal modern critical edition is Cào Jǐpíng 曹濟平, Lúchuān cí jiàozhù 蘆川詞校注 (Shànghǎi gǔjí, 1991). Zhāng’s biography is anchored in his Lúchuān guīlái jí and supporting historical sources: jìnshì of Zhènghé 2 / 1112; service under Lǐ Gāng during the 1126 Bianjing siege; demoted with Lǐ; later restored and serving in the southern circuits through Shàoxīng; broken from the rolls in 1138 for the two Hè xīn láng pieces; long retirement at Lúchuān (Yǒngfúxiàn, modern Fújiàn); death in Qiándào 6 / 1170. The two-Hè xīn láng are the canonical Sòng-era of explicit political opposition to the zhǔhé (peace) faction. The remainder of the corpus is in the courtly-private register — the Tíyào’s “QínZhōu” parallel, accurate as a stylistic note but understating the patriotic register that defines half the canon.

Translations and research

  • Cào Jǐ-píng 曹濟平, Lú-chuān cí jiào-zhù 蘆川詞校注 (Shàng-hǎi gǔ-jí, 1991) — the standard modern critical edition.
  • Wáng Zhào-péng 王兆鵬, Sòng nán-dù cí-rén yán-jiū 宋南渡詞人研究 — extended chapter.
  • Táng Guī-zhāng 唐圭璋 et al., Quán Sòng cí 全宋詞 (Zhōng-huá shū-jú, 1965; rev. 1999), vol. 2.
  • David Hawkes, “The Sources of the Tz’u,” in J.D. Frodsham, ed., Studies in Chinese Lyrical Poetry (Australian National University, 1971) — context on the patriot- tradition.

Other points of interest

The Hè xīn láng · Sòng Hú Bānghéng dàizhì biǎn Xīnzhōu 賀新郎·送胡邦衡待制謫新州 (1138) — its closing liángyè dú yǐ yǐ, bēifēng tī 涼夜獨倚兮悲風悽 type cadence — and Hè xīn láng · Jì Lǐ Bójì zhàngshǐ 賀新郎·寄李伯紀丈師 are the locus classicus of the Sòng patriot- of explicit political opposition. Both have been continuously anthologized from the Sòng to modern times as central texts of the post-1127 literary resistance. The Tíyào’s correction of Máo Jìn’s Xīnyǒu / 1141 dating against the Sòng shǐ record of Hú Quán’s memorial is one of the most cited cases of philological dating in the -tradition.